It took two weeks of trial and error but Daniel Cortes and I are proud to present the final design of the Nautilus for Steampunk Holmes: Legacy of the Nautilus project. I want to thank Daniel for his patience and for re-conceptulizing the Nautilus many times until we got it just right.
As we work on this project I'm getting a very good idea of what it must be like to produce and direct a movie. You have an idea that you share with talented people, and they work their butts off to make it tangible. I imagine that this must require as much give-and-take as Daniel and I have done when working on characters, scenes, and gadgets. The same kind of back-and-forth I have with P.C. Martin about the story. Truly wonderful things are not built in a vacuum; they must be the result of passionate collaboration among peers.
To the left you see the final design for the Nautilus. This is a mechanical drawing that will be featured in the book along with Doctor Watson's Arm, the Black Widow, and other gadgets yet to be announced.
The Nautilus design went through many variations as we experimented with one idea after another. We have, after all, very big shoes to fill. If you look at the design of the Nautilus by Disney in "20,000 Leagues Under the Sea", a steampunk masterpiece, or the versions done by other adaptations such as "League of Extraordinary Gentlemen" or many of the animated takes on the story, you'll soon agree that the design must rise to meet the merits of the story. We knew we had to get it right, and I think we did. Click on the image to above and judge for yourself.
The Nautilus sinks many ships in the original story by harpooning them to create a great hole in the hull that fills and sinks the ship. We needed a big-ass pointy thing on the front and Daniel gave us one. I also wanted to make the ship look somewhat organic, but not like a fish. Look at the curves and I think you'll agree that Daniel delivered on that request as well. I wanted the Nautilus to reflect Nemo's Indian heritage - Something Daniel took to heart, adding beautiful India-like decorative designs. Finally, I wanted the Nautilus to be HUGE! Check out the "crew" label next to the ship.
As we work on this project I'm getting a very good idea of what it must be like to produce and direct a movie. You have an idea that you share with talented people, and they work their butts off to make it tangible. I imagine that this must require as much give-and-take as Daniel and I have done when working on characters, scenes, and gadgets. The same kind of back-and-forth I have with P.C. Martin about the story. Truly wonderful things are not built in a vacuum; they must be the result of passionate collaboration among peers.
To the left you see the final design for the Nautilus. This is a mechanical drawing that will be featured in the book along with Doctor Watson's Arm, the Black Widow, and other gadgets yet to be announced.
The Nautilus design went through many variations as we experimented with one idea after another. We have, after all, very big shoes to fill. If you look at the design of the Nautilus by Disney in "20,000 Leagues Under the Sea", a steampunk masterpiece, or the versions done by other adaptations such as "League of Extraordinary Gentlemen" or many of the animated takes on the story, you'll soon agree that the design must rise to meet the merits of the story. We knew we had to get it right, and I think we did. Click on the image to above and judge for yourself.
The Nautilus sinks many ships in the original story by harpooning them to create a great hole in the hull that fills and sinks the ship. We needed a big-ass pointy thing on the front and Daniel gave us one. I also wanted to make the ship look somewhat organic, but not like a fish. Look at the curves and I think you'll agree that Daniel delivered on that request as well. I wanted the Nautilus to reflect Nemo's Indian heritage - Something Daniel took to heart, adding beautiful India-like decorative designs. Finally, I wanted the Nautilus to be HUGE! Check out the "crew" label next to the ship.
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